Showing posts with label fender. Show all posts
Showing posts with label fender. Show all posts

Thursday, October 25, 2007

Guitar Spotlight: Eddie Van Halen


I've stated many times before that Jimi Hendrix is my all-time favorite guitar player. Well, because of the man in the picture to the left, I might not have been telling the whole truth. Eddie Van Halen would have to be number 1b at this point, with Jimi at 1A. Like Hendrix, Van Halen is a true god on the axe. He took over as the undisputed greatest guitar player alive as soon as Van Halen burst onto the hard rock scene with their self-titled album in 1978. With classics like "Eruption", "Running with the Devil" and "Ain't Talkin' 'bout Love", he made people worldwide aware of his virtuosic talents. He is one of the last true innovators of the instrument, with his rapid finger-tapping style becoming an art form as he refined the technique throughout his early career. He's doing what I'm talking about in the picture, it's the technique that uses no pick, it is merely a tapping of the frets with the finger to create a unique sound that can be moved all over the neck. Eddie didn't invent the finger tap, but he brought it to an unheard-of level. "Eruption" is still the most classic example of finger-tapping at its finest.



Another musical technique that EVH was known for is his use of the Major Third note in chords. All major chords have a three-note structure, with the root, the third, and the fifth in the major scale of that note. For example, in G major, the root is of course G, the third is B, and the fifth is D. Play all three of those notes at once on any instrument, and you have a G major chord. The B note is what's usually left out of chords in the genre of his time, which was a mixture of hard rock and heavy metal. Pretty much every heavy metal or hard rock group simply played the "powerchord" which is only the root and the fifth played together, making for a much heavier sound. EVH played the whole major chord as he was playing, which gave a much more upbeat tone to his riffs, and he often played them on the bottom three strings, for a higher sound. It's very difficult to imagine EVH playing without throwing in those third notes.



Van Halen is known for his famous "Frankenstrat" guitar that was constructed by EVH himself, by hand. He wanted to combine pickups and other parts from different companies, something unheard of in the 1970s for custom-made guitars. He wanted a Gibson sound with a Fender feel. The Frankenstrat ended up looking like it does in the picture to the right. That, however, is a mdoern-day replica of the same guitar, which was made with the very same types of parts and methods by which EVH constructed his. Fender made about 300 of those replicas, gave them the astronomical price tag of $25,000, and still sold every single one of them within minutes. It remains one of the most expensive guitar replicas ever assembled. The complexity of its structure was enough to bump the price of this instrument way through the roof.

To get a real glimpse of the man's immense talents, check out this video from 1989 at the Tokyo dome. Van Halen had already replaced singer David Lee Roth with Sammy Hagar, but that didn't affect EVH's guitar prowess at all. He showcases all of his incredible skills in that one 6-minute video, but I'd encourage you all to check out whatever videos you can find from Youtube on this guitar legend. I'd recommend watching this whole video, but especially check out the technique he employs at 3:26. The piece he plays there is an original work, called "Cathedral" which can be found on Van Halen's 1982 album Diver Down. He puts heavy delay on his guitar and begins tapping with his left hand as he rapidly and rhythmically adjusts the volume knob on his guitar, creating a violin-like sound. He doesn't make a single mistake while playing this way; he hits all the right notes. A sound like that is still very tough to duplicate, mostly thanks to the unique build of the Frankenstrat.



EVH is truly one of the best to ever pick up the instrument, and I'm glad for every new fan I could possibly create with this posting.

Monday, September 17, 2007

First Documented Jam: Unsuccessful

Last night was most certainly more about our beloved Patriots thrashing their biggest threat in the AFC 38-14 on Sunday Night Football, but we still found some time to hook up the guitars and play away.

Our jam space underwent a huge operation before this set-up was established. There was a small wooden barrier- sort of like a wall, but more just a general annoyance- that was really cramping our space. The guys got their landlord to let them tear the wall down, and now the basement has a nice open area. The acoustics noticeably improved, and now we're actually capable of playing a show down there! Notice there's a lonely microphone in the foreground; we're not quite ready for shows just yet, but in due time we will be.

Justin owns three guitars, and his #1 is seen in the picture at the top. It's a GL Hollow Body Telecaster, which is a high-quality version of the Fender Telecaster. At a little over $700, it was a steal. You can't see it in the top photo, but I'm playing Justin's #2, a Gibson Les Paul studio. It's the #2 because it's the cheapest one you can get ($599), but any guitar is expensive to me. Still plays like a dream.

That's James on the left playing drums. Nothing special about his set, but it's good enough for what we're doing. As good as James is at guitar, I think he's better at drums. It's quite refreshing to play with someone who can actually carry a beat and/or mix up his rhythms while keeping in time. I've had some bad jamming experiences with drummers, but James might be the best drummer I've played with so far. He's the only real drummer in our group, but don't be surprised if he jumps on guitar from time to time.


That's me on the right, and there's a perfect view of Justin's Les Paul as well as my Line 6 Spider II half-stack amplifier. It's ideal for heavier stuff like metal and such, but it works a decent clean tone as well. I had problems with it during this jam, at times notes sounded over-driven and muddled. I'll have to mess around with the knobs a little more to get the sound I'm looking for on clean.
My face is hidden because I prefer to remain a mystery...Actually that's just the timing of the photo, I promise a legit picture of my face in the near future!

The main problem with this jam was the fact that it was severely rushed. We started at around 7:40, and with the Pats kicking off at 8:15 we were pressed for time. There were also the aforementioned amp malfunctions, and Justin and I even had trouble staying in tune at times. Overall, it was a forgettable session, but Justin and I laid out our plans for this week over lunch today. Next session, we should prove to be more well-prepared and just better overall.

Special thanks to my friend Vilva for taking the pictures. That's all I have for today. Until next time...